From the Booking Desk:
Last night, I attended my first event at Virginia’s Fall for the Book festival. This is a yearly week-long festival which takes place primarily on the campus of George Mason University. Since it is quite a commute for weekday travel, I haven’t before attended, but with Sophie Hannah discussing The Monogram Murders – her new Agatha Christie novel – the temptation proved to be too strong. As exhausted as I am today, believe me, it was more than worth it.
The evening was sponsored by the Mid-Atlantic Chapter of Mystery Writers of America. As such, they were able to present a panel of local crime authors before Sophie Hannah took the stage.
Barb Goffman will be familiar to BOLO Books followers because of her recent interview with the blog. Barb Goffman BOLO Books Interview.
I won’t attempt to recap all the items covered on this panel – everything from “where do you get your ideas?” to “Are you a plotter or a pantser?” – but I am always interested to hear why authors choose crime fiction over other forms of literature, so I wanted to share two remarks:
Barb Goffman said that she writes mysteries because that is what she likes to read and the feeling of justice at the end is an important factor in her love for the genre.
E. A. Aymar got a good laugh when he said that since he started out writing about Baltimore: “It’s hard to write about Baltimore without writing about crime.”
At 7:30, Sophie Hannah came on stage. Sophie is always a delight and this evening was no exception. She started out by discussing how it was that she came to write a new Hercule Poirot novel, then read a bit of the book, and ended with Q&A. There may be a video of the event available later, so for now, I will just list a few bulleted items I found interesting:
- Sophie expected that if the Christie Estate was going to authorize a new novel, they would have wanted one of the Grand Masters of the genre – P.D. James, Ruth Rendell, etc. – to carry the torch. She is honored to have been asked.
- Sophie talked a bit about the high-concept solutions of some of Christie’s works. She mentioned that the whole crux of The Murder on the Orient Express can be summed up in four words. Of course, to avoid spoilers, she did not say what those words were, but if you have read the book, no doubt you understand.
- Sophie talked about a high-concept ending she in mind for a book for years, but could never find an appropriate book in which to use it. When the idea of a new Poirot novel came up, she realized that the idea would work best in a Golden Age mystery such as Christie wrote.
- Sophie talked about how she is used to having people either like or dislike her novels, but that this was her first experience with the public hating a book before she even wrote it. She said that most reactions have been positive, but that there remains a contingent of the public who just don’t like the idea of continuation novels (ie. series novels written by another author. other than the original.)
- Sophie very deliberately took Poirot out of his normal stomping ground and away from his usual side-kicks, so as to distance her book from the Christie originals. She created a new character – Catchpool – to be the narrator, thereby explaining any tonal shift in the storytelling.
- The original title for The Monogram Murders was going to be If Murder Began with a D, but the publishers thought that the public might confuse it with a Sue Grafton book. It turned out fine though, since Sophie was able to use that original title as a chapter title within the novel – which was a common characteristic of Christie and other Golden Age mystery novels.
A signing followed the event, as one would expect. Since I had told Sophie that I was coming to the event, she suggested we get drinks afterwards. It was great fun to continue the conversation about Christie and discuss other topics of interest within the crime fiction community.
Needless to say, I will be reading The Monogram Murders very soon and you can expect a review here at BOLO Books in the near future.