by Kristopher | Feb 20, 2020 | Review
Kathleen Barber’s Follow Me is about an as “of the moment” crime novel as one is likely to find. It’s exploration of the perils of social media will appeal to both those who are addicted to modern connectivity trends as well as those who are justifiably wary of such...
by Kristopher | Feb 18, 2020 | Review
If you take the writings of Mary Higgins Clark, Victoria Holt, the Brontës, and Han Christian Andersen and mix them in a blender, the resulting concoction could serve as the building blocks for Carol Goodman’s oeuvre, the latest of which – The Sea of Lost Girls–...
by Kristopher | Feb 11, 2020 | Review
From the Booking Desk: Continuing my new plan to post mini-reviews together in the hopes of creating cross-over readers in a selection of sub-genres, this week we have 4 short reviews – three historicals and a contemporary police procedural. But these books have...
by Kristopher | Feb 3, 2020 | Review
Every so often the crime fiction canon welcomes a new character who is instantly iconic. There is no easy formula for making this happen; otherwise it would not be nearly as rare an occurrence as it is. In theory, it is likely some elusive combination of character...
by Kristopher | Jan 28, 2020 | Review
With the release of four novels under her wings – The Black Hour, Little Pretty Things, The Day I Died, and Under a Dark Sky – Lori Rader-Day has established herself as one of the most consistently-excellent and thoroughly-unpredictable writers of crime fiction. Part...
by Kristopher | Jan 27, 2020 | Review
Typically, when a reviewer says a book is cinematic, it is a reference to the fact that the book could easily be adapted to the screen and would probably be successful if that happened. In the case of Elizabeth Little’s second novel, Pretty as a Picture, the term...
