by Kristopher | Jul 5, 2018 | Review
No other crime fiction author can so perfectly and eloquently distill the complexities of female relationships in the way that Megan Abbott can and does repeatedly. Whether she is writing about classic femme fatales, kidnapping victims, high school cheerleaders, or...
by Kristopher | Jul 3, 2018 | Review
Hanna is cold and cruel and creepy. Hanna is manipulative and will get what she wants no matter the cost. Hanna is a villain who will lodge in the reader’s mind for a very long time, becoming both legend and archetype. Hanna also happens to be seven years old. Readers...
by Kristopher | Jun 27, 2018 | Review
Lori Roy is the first woman to win both the Best First Novel and Best Novel Edgar Awards – for Bent Road and Let Me Die in His Footsteps respectively. Until She Comes Home, her second novel, was also a finalist for the Best Novel Edgar Award. Her newest Southern...
by Kristopher | Jun 20, 2018 | Review
Two thousand and eighteen just might become the year of the domestic thriller. Authors are blending the global and the intimate in fresh and exciting ways. Just as Karen Cleveland did in Need to Know, Bryan Reardon manages to use the backdrop of a political incident...
by Kristopher | Jun 12, 2018 | Review
Liz Nugent is one of those rare authors willing to take true risks with her writing. In terms of structure, themes, and character depth, Nugent defiantly refuses to adhere to long-held crime fiction conventions. Her debut novel, Unraveling Oliver, made an instant...
by Kristopher | Jun 6, 2018 | Review
Truly unclassifiable novels are rare these days – most everything is a mash-up of various tropes from familiar styles – but occasionally something so unique comes along, breaking new ground while seemingly utterly familiar or at least somehow anticipated at the same...
